2024

Meet the 2023-24 Full Color Print Fellows and Teaching Artists

Gabi Estrada (left) and Whitney Terrill (right)

Congratulations to the Full Color Print Fellows: Gabi Estrada and Whitney Terrill

We are sending a warm welcome and congratulations to Gabi Estrada and Whitney Terrill as the new Full Color Print Fellows 2023-24 at Highpoint Center for Printmaking. This yearlong fellowship will provide the artists with access to Highpoint’s cooperative print studio, learning opportunities through Highpoint classes and individual instruction, professional development and mentorship, a monetary award, exhibition opportunities, and more.

Gabi Estrada (they/them) is a Mexican-American printmaker, muralist, and arts educator based in Minneapolis, MN. Gabi's personal artistic practice is rooted in identity and storytelling, celebrating the memory and honoring the existence of their ancestors and elders. They believe in the power that art has to facilitate healing and community building, which they aim to prioritize in their artistic work and pedagogy. Beyond work, they enjoy cooking food for people they love, biking among the trees, and cuddling their cat, Tajín. 

While a fellow, Gabi will explore combining various print techniques and media. They said, "The majority of my work has been portraits centering femininity and matrilineality, but I am interested in reflecting on the men of my family as well, exploring their influence on my identity formation.”

Whitney Terrill (she/her) is a Minnesota artist focusing primarily on printmaking, photography, and painting. In her work, she addresses topics important to her, such as environmental justice and African heritage. Whitney also enjoys engaging in public art, especially murals, to raise awareness about environmental justice and to facilitate community meals and engagement for placemaking and placekeeping.  

Whitney received her undergraduate degree from Hampton University (VA) and an executive certificate in conservation and environmental sustainability from Columbia University (NY) and in social impact strategy from the University of Pennsylvania (PA).  

During the fellowship, Whitney hopes to complete work inspired by a recent residency she completed in June supported by the Minnesota African American Heritage Museum and Gallery and Belwin Nature Conservancy. She says, "The Full Color Fellowship gives me full permission and support to learn additional print techniques or strengthen my skills. It is the encouragement with practical mentorship and training that I need to create additional work to support my long-term goals as an artist.”

Highpoint would like to thank the panelists Teréz Iacovino and Tia-Simone Gardner, who carefully reviewed the applications, made their decisions, and generously compiled feedback for all the applicants. 

The Full Color Print Fellowship Program at Highpoint was developed with a steering committee to eliminate barriers to printmaking studio access for Minnesota artists from racial and ethnic communities that have been underrepresented within the cooperative printshop. 

Find more information: highpointprintmaking.org/full-color-fellowship


Welcoming the Teaching Artist Learning Community

Highpoint’s Teaching Artist Learning Community is a paid program designed for early-career Minnesota-based BIPOC artists who are interested in growing their teaching practice in printmaking. The program aims to encourage teaching artists to develop an expansive and community-centered approach to printmaking instruction through a learning community model. Over a 9-week period this fall, artists will gain skills in the technical, pedagogical, and professional aspects of being a teaching artist and then will lead a workshop at Highpoint Center for Printmaking next spring. 

2023-24 artists include Constanza Carballo, Zamara Cuyún, Boniat Ephrem, Lynda Grafito, Meher Khan, and Whitney Terrill. 

This activity is made possible by the voters of Minnesota through a grant from the Minnesota State Arts
Board, thanks to a legislative appropriation from the arts and cultural heritage fund.

Meet the Jerome Residents

Left to Right: Mei Lam So, Izzy Shinn, and Gidinatiy Hartman

ANNOUNCING HIGHPOINT’S 2023-24
JEROME EARLY CAREER PRINTMAKERS

Highpoint is pleased to announce the 2023-24 Jerome Early Career Printmaking Residents Mei Lam So, Gidinatiy Hartman, and Izzy Shinn. The nine-month residency begins in September and will culminate in May with a June 2024 exhibition in Highpoint’s galleries. Between now and then, though, much experimentation, progress, and growth will occur. The program will include four special guest critiques that occur at intervals during the residency. For more about each of the residents, read on:

Mei Lam So (she/her) is a Minneapolis-based visual artist whose medium includes printmaking, textile printing, and ceramics. She received her BFA from the University of Wisconsin-Madison and her MFA in Printmaking and Ceramics from the University of Iowa. Originally from Hong Kong, Mei’s work explores topics surrounding the acculturation process of bicultural Asian immigrants. Mei has exhibited her work nationally.

Mei offered this about the upcoming residency, “I look forward to enacting some developing ideas and creating a new body of work with the community support of Highpoint's technical and conceptual expertise.“

Izzy Shinn (they/he/she) is a butch Twin Cities-based printmaker and comic artist specializing in intaglio etching and ink illustration, having earned their BFA from the University of Minnesota. With a focus butchness, lesbian life, and history, their work is tied intimately with themself and their own experiences, showcased through characters and archetypes, exploring the sexual and social stigmatization of women, the body, and the queer subject.

Most recently, they have worked as a summer workshop studio assistant at Penland School of Craft. They have exhibited and sold work in various local venues, such as the Katherine E. Nash Gallery, Open Eye Gallery, and the North Suburban Center for the Arts. They have also self-published multiple mini-comics and zines and participated as an exhibitor in the 2022 Minneapolis-based Autoptic Festival.

When asked what they’re most looking forward to in the residency, Izzy said,  “What I'm most excited for is the time and resources to experiment more with intaglio printing methods, specifically multi-plate printing, chine collé, and plate shape variation. I'm also very much looking forward to delving into this newer, more personal facet of my work and exploring how drawing from intimate and archival sources will influence my style and practice.” 

Gidinatiy Hartman (they/them) has a Bachelor of Fine Arts in printmaking from the University of Alaska Fairbanks. Their artwork is about creating visual representations of the Deg Xinag and other Native languages and is centered around a desire to reclaim their family’s Athabascan language, which was taken from them due to colonization. United by a sense of whimsy and wordplay, their art seeks to make it easier for people to learn Deg Xinag and other Native languages. They aspire to have multiple modes of representation, including visual art, that makes language revitalization more accessible to people.

Gidinatiy said this about the upcoming residency, “I am looking forward to being in a printmaking studio because it gives me the opportunity to use a variety of printmaking methods again. I am excited to continue the same work I did for my BFA, creating artwork related to my Native language: Deg Xinag. Also, I look forward to being more involved in the printmaking community and being able to get feedback and input on my artwork.”

Highpoint would like to thank this year’s panelists Tamara Aupumaut and Heidi Goldberg. Tamara Aupaumut is a multidisciplinary artist and independent curator living on Mni Sota Makoce, also known as Minneapolis. She works in a variety of media, including printmaking. Heidi Goldberg earned her BA from Hamline University and MFA in printmaking and works on paper at The University of Michigan. She taught studio art at Concordia from 1995-2022. Her works have been exhibited in local, regional, national, and international juried exhibitions. She lives and works in the sand hills near the National Sheyenne Grasslands in North Dakota. 


The Jerome Early Career Residency is in its 21st year of programming and is funded with a generous grant from the Jerome Foundation. The program is open to early-career Minnesota printmakers — defined here as artists who show significant potential yet have not received a commensurate amount of professional accomplishment or recognition, regardless of age or recognition in other fields. You can find details about the program, application process, and creative benefits on our website

About the Jerome Foundation –  Created by artist and philanthropist Jerome Hill (1905-1972), The Jerome Foundation seeks to contribute to a dynamic and evolving culture by supporting the creation, development, and production of new works by emerging artists. Based in St. Paul, MN, the Foundation makes grants to not-for-profit arts organizations and artists in Minnesota and New York City.