My printmaking career began in 1990 at The Pennsylvania Academy of Fine Arts in Philadelphia, Pennsylvania. My focus was in woodcut printmaking under the instruction of Master Printer, Dan Miller. I graduated from the Maine College of Art in 1995 with a BFA in Printmaking. I studied under James Cambronne, Master Printer, with a focus in intaglio. I became a key holder/printmaker at Pickwick Press in Portland, Maine for 8 years. It was during this time that I began to work in a large scale format, concentrating on highly detailed woodcuts and drypoint plates of endangered and exotic species. During this period, I participated in Big Ink as a contributing printer and worked as an independent curator and artist in Brooklyn, NY, Austin, TX and Portland, Maine.
My family and I moved to Minnesota and in May of last year, I became a member of Highpoint Center for Printmaking in Minneapolis. Since then, I have created a drypoint intaglio print every month as a challenge to myself. Each of these prints focus on macro/microcosms or parts of a whole. This method of mark making has been my most intimate experience as a printer, with the time that goes into each piece. Recently I was able to study photolithography under Grace Sippy in an adult class offered at Highpoint.
My continuing goal is to create large scale, multi-layered prints utilizing the techniques that I learn and advance at Highpoint. As a member of the co-op, the richness and depth of my work has improved and my prints continue to develop and evolve. Being a member of the co-op also created new friendships and a network for me as an artist here in Minneapolis.