Highpoint Editions artist Andrea Carlson's print Anti-Retro is featured in Casdadia Weekly's article: "In Red Ink: Beyond Appropriation" by Stephen Hunter
Jim Hodges Sculpture in Buffalo, NY
Michael Kareken in "Sky, Land, Water" at Groveland Gallery
Alexa Horochowski "O Horizons" at Nemeth Art Center
Do Ho Suh: The Spaces in Between
Julie Mehretu is Set Designer for "Only the Sound Remains"
Do Ho Suh at Venice Biennale of Architecture
Andrea Carlson: "Anti-Retro" in progress
Andrea Carlson on Crosscut.com
Andrea Carlson at MONWA
Julie Buffalohead at Nemeth Art Center
Andrea Carlson in First American Art Magazine
Julie Mehretu in Paris
Julie Mehretu in "The Reconfigured Landscape" at Centro Botin
Highpoint to become a McKnight Artist Fellowship program partner
Signs of the Times: Recent Monotypes by Todd Norsten
"Land Body Industry" @ the U of M's Katherine E. Nash Gallery
Clarence Morgan "Ordinary Wonders" for the Des Moines Art Center
Jay Heikes @ UC-Berkeley Art Museum & Pacific Film Archive
Highpoint Editions artist Jay Heikes has a solo exhibition entitled "Jay Heikes: Matrix 269" at the UC-Berkeley Art Museum & Pacific Film Archive through April 29, 2018.
"Many of the objects—paintings, sculptures, and drawings—presented in this exhibition were informed by time Jay Heikes (b. 1975) spent at a residency in Marfa, Texas, in early 2017. The dry, crumbly terrain of the desert landscape and the site’s proximity to Mexico inspired his rumination and reflection on the significance of borders to our culture, a subject that has concurrently received much attention in the political sphere." - exhibition webpage
To learn more about the exhibition, click here.
Jay Heikes: The Devil Has Left My Building, 2015; pencil and ink on paper; 51 1/8 x 85 in.; courtesy of the artist and Marianne Boesky Gallery, New York and Aspen. © Jay Heikes. Photo: Object Studies.
